Thanks to Jill at Breaking the Spine, I present another edition of Waiting on Wednesday…

Can I be honest and just say that I love the cover? It’s the first thing I noticed and it alone has me 98% sold on this book. (But since I have never purchased a book solely on the cover, I’ll add that the remaining 2% was covered by the book’s description.)

The Clockwork Angel (The Infernal Devices, Book 1) by Cassandra Clare is scheduled for publication on August 31, 2010 and can be pre-ordered from Amazon.

Magic is dangerous—but love is more dangerous still.

When sixteen-year-old Tessa Gray crosses the ocean to find her brother, her destination is England, the time is the reign of Queen Victoria, and something terrifying is waiting for her in London’s Downworld, where vampires, warlocks and other supernatural folk stalk the gaslit streets. Only the Shadowhunters, warriors dedicated to ridding the world of demons, keep order amidst the chaos.

Kidnapped by the mysterious Dark Sisters, members of a secret organization called The Pandemonium Club, Tessa soon learns that she herself is a Downworlder with a rare ability: the power to transform, at will, into another person. What’s more, the Magister, the shadowy figure who runs the Club, will stop at nothing to claim Tessa’s power for his own.

Friendless and hunted, Tessa takes refuge with the Shadowhunters of the London Institute, who swear to find her brother if she will use her power to help them. She soon finds herself fascinated by—and torn between—two best friends: James, whose fragile beauty hides a deadly secret, and blue-eyed Will, whose caustic wit and volatile moods keep everyone in his life at arm’s length . . . everyone, that is, but Tessa. As their search draws them deep into the heart of an arcane plot that threatens to destroy the Shadowhunters, Tessa realizes that she may need to choose between saving her brother and helping her new friends save the world. . . . and that love may be the most dangerous magic of all.

Happy Tuesday! It’s time again for another edition of Teaser Tuesdays…

Here are the rules:

• Grab your current read
• Let the book fall open to a random page
• Share with us two (2) “teaser” sentences from somewhere on that page
• You also need to share the title of the book where you get your teaser from…that way people can have some great book recommendations if they like the teaser you’ve given
• Please avoid spoilers

This week’s teaser:

"Maybe being a worker tempts you to be all mystical, but I think mom knows about people because she watches faces very closely. There’re these looks people get that last less than a second–micro-expressions, they call them, fleeting clues that reveal a lot more than we wish." pg. 154 White Cat by Holly Black

And I wish I could say I was loving this book already, but I’m not. Just into the third chapter and the story is barely holding my attention. It’s not that it’s bad or even that there aren’t interesting aspects (it does start with the main character dangling from a rooftop after an episode of sleepwalking), but even with the interesting bits, it still feels stagnant. But I’m not ready to give up yet. I want it to get better because the world (in which people can touch someone to curse them) promises intrigue and I’m hoping that it will.

It’s Thursday and you know what that means…another edition of Booking Through Thursday is here.

This week’s question is: Do you take breaks while reading a book? Or read it straight through? (And, by breaks, I don’t mean sleeping, eating and going to work; I mean putting it aside for a time while you read something else.)

The default answer (for everything, it seems) is: It depends. Sometimes a book is so gripping that taking a break is near impossible—it even trumps eating and sleeping. For the most part though, I take breaks.

It’s like I have adult ADD or something. But really I’m just a mood-based reader. Sometimes I’m in the mood for something light and fun, other times I want something solid and pensive, then I might want frightening. It all boils down to what I’m in the mood to read at any given moment.

Right now, I’m actually alternating between three different books: two fiction (supernatural fantasy and coming of age drama) and one non-fiction (true crime). For the most part, I try not to read within similar genres. So if I’m already reading a supernatural fantasy, I won’t read another one along side it—mainly so I don’t mix them up.

Frankly, though, I’ve become insane with keeping reading notes which means I don’t need to worry about mixing storylines anyway. (This would require a complete post of its own…which is on my schedule, so look for it soon.)

It’s Thursday and you know what that means…another edition of Booking Through Thursday is here.

This week’s question is: Which do you prefer? Lurid, fruity prose, awash in imagery and sensuous textures and colors? Or straight-forward, clean, simple prose?

Florid or unadorned prose? It’s a difficult decision to make if you enjoy both. But, my preference often depends upon mood and whether said florid prose shifts into the realm of purple and whether the unadorned prose is so sparse as to remove all color.

Two good examples to illustrate my point are The Last Unicorn by Peter S. Beagle (review) and I heart you, You haunt me by Lisa Schroeder (review). (Bet you thought I was going to say Shakespeare and Hemmingway, didn’t you?) I enjoyed both of these books although the former was especially florid:

The unicorn lived in a lilac wood, and she lived all alone. She was very old, though she did not know it, and she was no longer the careless color of sea foam, but rather the color of snow falling on a moonlit night. But her eyes were still clear and unwearied, and she still moved like a shadow on the sea.

While the latter was spare in its language:

I pull out the bikini.
The one Jackson bought me.
The one I wore that day.

I can’t wear it.
I won’t wear it.
Never
ever
again.

I should throw it away.
But Jackson gave it to me.
It’s the last thing he gave me.
So I’ll keep it.
But I won’t wear it.

To me, it all boils down to deftness of the writer and whether I’m in the mood to savor a book or devour it.

Thanks to Jill at Breaking the Spine, I present another edition of Waiting on Wednesday…

This book’s description called out—or should I say sang?—to me. I knew instantly that I wanted to read it. Now, I grow impatient waiting for the day it shall arrive.

The Long Song by Andrea Levy is scheduled for publication on April 27, 2010 and can be pre-ordered from Amazon.

THE AUTHOR OF SMALL ISLAND TELLS THE STORY OF THE LAST TURBULENT YEARS OF SLAVERY AND THE EARLY YEARS OF FREEDOM IN NINETEENTH-CENTURY JAMAICA

Small Island introduced Andrea Levy to America and was acclaimed as “a triumph” (San Francisco Chronicle). It won both the Orange Prize and the Whitbread Book of the Year Award, and has sold over a million copies worldwide. With The Long Song, Levy once again reinvents the historical novel.

Told in the irresistibly willful and intimate voice of Miss July, with some editorial assistance from her son, Thomas, The Long Song is at once defiant, funny, and shocking. The child of a field slave on the Amity sugar plantation, July lives with her mother until Mrs. Caroline Mortimer, a recently transplanted English widow, decides to move her into the great house and rename her “Marguerite.”

Resourceful and mischievous, July soon becomes indispensable to her mistress. Together they live through the bloody Baptist war, followed by the violent and chaotic end of slavery. Taught to read and write so that she can help her mistress run the business, July remains bound to the plantation despite her “freedom.” It is the arrival of a young English overseer, Robert Goodwin, that will dramatically change life in the great house for both July and her mistress. Prompted and provoked by her son’s persistent questioning, July’s resilience and heartbreak are gradually revealed in this extraordinarily powerful story of slavery, revolution, freedom, and love.